|
|
|
|
|
Madonna Enthroned and Ten Saints
Painting ID:: 83613
|
Rosso Fiorentino
Madonna Enthroned and Ten Saints
Date 1522(1522)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 259 cm (102 in).
cjr
|
| |
|
|
|
|
|
|
|
|
|
Daughters of Jethro
Painting ID:: 85769
|
Rosso Fiorentino
Daughters of Jethro
between 1523(1523) and 1524(1524)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
Madonna Enthroned and Ten Saints
Painting ID:: 87472
|
Rosso Fiorentino
Madonna Enthroned and Ten Saints
1522(1522)
Medium Oil on wood
cyf
|
| |
|
|
|
|
|
|
|
|
|
Marriage of the Virgin
Painting ID:: 88419
|
Rosso Fiorentino
Marriage of the Virgin
1523(1523)
Medium Oil on wood
Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in).
cjr
|
| |
|
|
|
|
|
|
|
|
|
Descent from the Cross
Painting ID:: 88420
|
Rosso Fiorentino
Descent from the Cross
1521(1521)
Medium Oil on wood
Dimensions Height: 375 cm (147.6 in). Width: 196 cm (77.2 in).
cjr
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Rosso Fiorentino
|
|
Italian Mannerist Painter, ca.1495-1540
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style.
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau.
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power. |
|
Related Artists::.
| Osborne, William | Hans Cranach | George Edmund Varian | |
|
